Did Jackson Pollock Stick Paint In His Ass

Jackson Pollock was a renowned Abstract Expressionist artist from the United States. Jackson Pollock's artworks were known as baste paintings and were created by covering a horizontally positioned canvas with dripping pigment. This astringent kind of brainchild split critics: some applauded the cosmos's spontaneity, while others mocked the haphazard results. Pollock, a lone and turbulent personality, fought with alcoholism for the bulk of his life. This article will delve into the life of Pollock and his artwork through fourth dimension.

Table of Contents

• 1 Jackson Pollock'southward Biography
  • 1.i Early Life
  • ane.2 Career
  • 1.three Jackson Pollock and Lee Krasner
  • i.4 Later Years and Death
• two Jackson Pollock'southward Art Style
  • 2.one Art Fashion
  • 2.2 Critical Debate
  • 2.3 Legacy
  • ii.4 Computer Fractal Analysis
  • 2.5 The Almost Expensive Jackson Pollock Painting
• three Recommended Reading
  • three.i Jackson Pollock (2010) past Ellen Thou. Landau
  • 3.two Jackson Pollock: An American Saga (1998) by Steven Naifeh
• 4 Often Asked Questions
  • 4.one How Did Jackson Pollock Die?
  • iv.2 What Was Jackson Pollock Known For?

Jackson Pollock's Biography

Nationality	American
Date of Nativity	28 January 1912
Date of Expiry	11 August 1956
Place of Birth	Cody, Wyoming

Pollock'southward rough and turbulent childhood in the American Due west molded him into the confident persona he would become. Later, a sequence of inspirations came together to shape the style of Jackson Pollock'southward paintings: years spent producing realistic murals on a large scale in the 1930s taught him the bear upon of large paintings; Surrealism gave techniques to express the unconscious, and Cubism directed his grasp of picture space.

Jackson Pollock started seeing a Jungian analyst in 1939 to accost his alcoholism, and his therapist urged him to sketch. These would eventually feed Jackson Pollock's paintings.

They molded Pollock'due south perception of his works not merely as emanations of his ain mind, just as representations of all contemporary mankind habitation in the shadow of nuclear war. Pollock'southward grandeur stems from his creation of one of the most radical abstract techniques in contemporary fine art history, separating line from color, altering the classifications of sketching and painting, and inventing new means to depict pictorial space. But how did Jackson Pollock live and how did Jackson Pollock die? Get-go, permit u.s. begin with our Jackson Pollock biography.

Early Life

Paul Jackson Pollock, the youngest of five children, was built-in in 1912 in Cody, Wyoming. His mother, Stella, brought her children to San Diego in November 1912; Jackson was just 10 months old at the time and would never go dorsum dwelling to Cody. He initially went to Manual Arts High Schoolhouse in Los Angeles, only he was subsequently dismissed.

A 1928 southtudio portrait of artist Jackson Pollock at almost age 16; Smithsonian American Art Museum , Public domain, via Wikimedia Eatables

He had previously been dismissed from yet another high school in 1928. Pollock became interested in Native American traditions while on survey excursions with his father every bit a child. He relocated to New York Metropolis with his brother Charles in 1930, and they attended the Art Students League and trained nether Thomas Hart Benton.

Jackson Pollock'south artwork was more influenced past his rhythmic oil paint and his furious individuality than by Benton's pastoral American subject field cloth.

Career

David Alfaro Siqueiros, a muralist artist from Mexico, introduced Pollock to the usage of liquid paint in 1936 during an exploratory session in New York City. Eventually, in Jackson Pollock'southward paintings from the early 1940s, such as Male and Female, he utilized drip painting as one of the numerous processes.

Subsequently relocating to Springs, New York, he started to pigment on the workshop flooring with his canvas, developing what became known as his "drip" style.

He was attempting to overcome his long-continuing alcoholism at the time; from 1938 to 1941, he attended Jungian psychotherapy, which he completed in 1941 and 1942. He was encouraged to sketch by the therapist, who engaged him via his art. Jackson Pollock's artworks reflected Jungian notions and archetypes. Some historians speculate that Pollock may have suffered from bipolar illness. In July 1943, Pollock entered into a contract with Peggy Guggenheim.

He was commissioned to construct the artwork Mural (1943) for the entrance of her new mansion. Pollock produced the piece on canvas rather than the wall, at the asking of her friend and advisor Marcel Duchamp, so that information technology might be moved. Cloudless Greenberg remarked after witnessing the large mural, "information technology just took a single glance to realize, 'At present that's magnificent art,' and I stated that Jackson Pollock was the best painter this nation had produced."

Pollock's skill was praised as "volcanic" in the booklet for his debut show. "It's on burn down. Information technology generates unpredictability. Information technology lacks discipline. It oozes out of itself in a mineral prodigality that has still to solidify" connected Greenberg.

Pollock's Baste Painting Period

Pollock's most renowned works were created between 1947 and 1950, during the "baste painting phase." He rose to prominence when an article in Life magazine o the 8th of August, 1949, posed the question, "Is he the finest creative person in America?" Thank you to the cooperation of Pollock's close friend Alfonso Ossorio, Paul Facchetti (the gallery owner) was able to produce the first exhibit of Jackson Pollock'southward artworks in his studio on the 7th of March, 1952.

Jackson Pollock became an overnight star equally a upshot of this. His painting technique was over-analyzed, eliciting both acclaim and derision. This newfound prominence did non sit well with Pollock'due south mental state. As a result, his notoriety was short-lived, equally the strain led him to retreat socially and creatively. Therefore, Pollock unexpectedly deserted the drip method at the height of his success.

Number 1 (Lavender Mist) (1950) by Jackson Pollock that demonstrates his iconic drip-style, located in the National Gallery of Art in Washington, D.C., United States;Jackson Pollock, CC Past-SA 4.0, via Wikimedia Commons

Jackson Pollock's artwork afterwards 1951 was deeper in tone, including a series created in black on unprimed canvases. These works have been dubbed his "Black pourings," and so when he showed them at the Betty Parsons Gallery, absolutely none of the works were bought. These pieces testify Pollock seeking to strike an equilibrium between abstraction and portrayals of the man effigy.

He eventually reverted to color and proceeded with figurative themes.

During this catamenia, Pollock had switched to the Sidney Janis Gallery, a more corporate art gallery, and his art was in considerable demand amidst buyers. His drunkenness worsened in reaction to this strain, too equally emotional dissatisfaction.

Jackson Pollock and Lee Krasner

In 1942, the two painters met when both were exhibiting at the McMillen Gallery. Krasner was unfamiliar with Jackson Pollock's paintings merely was interested in them, so he went to his residence unexpectedly later the gallery bear witness to see him. The two married in October 1945, with eyewitnesses present. They purchased a firm and barn and Pollock used the barn as a workspace.

It was in this location that he honed his enormous "baste" method for working with pigment, which would become synonymous with the artist.

When the couple was no longer working, they spent their time abode baking and cooking, working on the garden, and entertaining guests. Due to the emergence of feminism at the time, commentators began to rethink Krasner'due south consequence on her husband's artwork in the latter part of the 1960s. Krasner's excellent understanding and expertise in modern fine art and methods aided her in bringing Pollock up to speed with what modern art should exist.

Photograph of artist Lee Krasner, Pollock's wife, taken in 1983; Gotfryd, Bernard, photographer, Public domain, via Wikimedia Commons

Krasner is widely regarded as having taught her married man the fundamentals of modernist painting. Pollock was therefore able to adapt his arroyo to a more ordered and international genre of contemporary art, and Krasner became the only assessor he could rely on. Pollock would respect his colleagues' judgments on what worked and didn't work in his creations during the start of the two artists' marriage.

Krasner was also crucial in exposing him to a number of collectors, reviewers, and painters who would help him in advancing his profession as a young painter. Art historians frequently analyze Jackson Pollock's effect on his wife's works.

Many people believed Krasner started to replicate and recreate her husband's wild paint spills in her own art. According to numerous versions, Krasner planned to use her intuition as a means of progressing toward Pollock's "I am nature" method to imitate nature in her work.

Later on Years and Decease

Pollock completed his final two works, Search and Sent, in 1955. In 1956, he did not produce paintings at all; instead created sculptures out of wire, gauze, and plaster at Tony Smith'southward house. They are shaped by sand-casting and feature extremely textured features similar to those used past Pollock in his paintings. Pollock and Krasner's partnership began to deteriorate in 1956 equally a result of Pollock'south continued drinking and infidelity with Ruth Kligman.

Pollock died in a single-car standoff in his Oldsmobile convertible on the 11th of August, 1956, while driving intoxicated. Krasner was seeing friends in Europe at the time, and she returned chop-chop after hearing the information from a friend. Edith Metzger, one of the occupants, also died in the tragedy, which happened less than a mile from the artist'south firm. Ruth Kligman, Pollock's lover, was the just rider who survived.

Pollock was honored with a memorial commemorative show at the Museum of Mod Art in New York Metropolis in Dec 1956. In 1967, a larger, more complete exhibition of Jackson Pollock's artwork was presented there. Pollock is oft assumed to accept suffered monetarily during his life. True, he was in one case and then destitute that he had to work equally a cleaner and stole food to survive. Still, his financial circumstances significantly improved over time.

Pollock was making near v times the average yearly pay towards the end of his life. Some of his works got as much as $6000, which was a lot to spend for an artwork at the time.

Savvy fine art collectors had recognized Pollock'south paintings' hereafter potential worth, placing him in a secure financial situation. Furthermore, afterwards Pollock died in 1956 at the historic period of 44, his widow Lee Krasner gained greatly from the soaring value of his paintings.

Jackson Pollock'due south Art Style

Pollock was influenced by the work of Pablo Picasso, Thomas Hart Benton, and Joan Miró. Pollock began utilizing constructed resin-based paints known as alkyd enamels, which were a revolutionary medium at the time. Pollock described his utilization of commercial paints instead of artist's pigments as a "natural growth out of a necessity."

He used stiff paint brushes, sticks, and sometimes even syringes to apply paint.

Fine art Style

Pollock's pouring and flowing paint technique are regarded to be ane of the roots of the phrase "activity painting." Pollock was able to create his own trademark manner palimpsest paintings using this technique, with paints pouring from his selected instrument onto the sail. By rejecting the standard of working on a vertical surface, he brought a new dimension to his paintings by assuasive him to discover and apply pigment from all angles.

Pollock bankrupt abroad from realistic representation and questioned the Western practise of employing easel and castor while painting in this manner. He painted with the ability of his unabridged trunk, as seen by the gigantic canvases.

According to one of Jackson Pollock'southward quotes: "My painting is not created on an easel. I like to affix the stretched canvas to a firm wall or the floor. I require the tensile strength of a hard surface. I feel more than comfy on the floor because I can wander around it, working from all 4 sides, and truly be in the painting this way. I'thou abandoning typical painter'southward tools such as canvas easels, palettes, pigment brushes, and and then forth. Sticks, knives, flowing fluid paint, or a potent impasto with grit, drinking glass shards, or other strange objects are my preferred tools."

The She-Wolf(1943) past Jackson Pollock, located in the Museum of Modern Fine art in New York City, U.s.; Jackson Pollock, CC Past-SA 4.0, via Wikimedia Commons

In the 1940s, Pollock saw Native American sandpainting performances. Pollock claimed, regarding his arroyo of painting on the flooring, "I feel closer to the picture, more a part of it, since I can become around it, work from all four corners, and physically be in it."

His drip method was likewise influenced by Surrealist automatism likewise as Mexican muralists. Pollock disputed relying on "accidents," claiming that he typically had a notion of how he wanted a specific piece to await. His method combined the controllable movement of his body, the fluid flow of colour, the gravity force, and the soaking of pigment into the fabric. It was a confluence of controllable and uncontrollable variables. He'd move near the painting, equally if in a trance, tossing, pouring, spilling, and spattering, and wouldn't quit until he observed what he wanted to run into.

Photographer Hans Namuth, later on taking pictures of Pollock at work, made the post-obit observations: "The unabridged floor was covered with soaking wet sheet. There was totally quiet. Pollock had a peek at the artwork. And then, suddenly, he took up a paint tin can and a paintbrush and began to move near the canvas. It was equally though he abruptly remembered he hadn't completed the picture.

Tedious at first, his motions got quicker and more dance-like equally he tossed black, white, and rust-colored paint into the canvas. It was every bit if he had completely forgotten that I was there; he didn't seem to feel the photographic camera shutter snap. My photography shoot lasted around half an hr, or as long as he connected creating. Pollock never stopped working throughout that catamenia. How could someone maintain this amount of activeness? "This is it," he eventually said.

Pollock's best works show that his all-over line does non create negative or positive areas: we are not led to believe that ane section of the sail requires to exist interpreted as a figure, whether abstraction or figurative, while another part of the canvas is interpreted as ground. Pollock's line and the area through which it flows accept no interior or outside. Pollock has been successful in liberating line from the piece of work of describing or circumscribed shapes or characters on the canvass'southward surface, in add-on to its duty of depicting external objects."

Pollock dropped labels and began numbering his paintings in club to avoid the audience's chase for figurative aspects in his artworks. "Look intently and effort to accept what the film has to offer without bringing a subject field matter or predetermined understanding of what they are to be searching for," he stated. "He used to give his images traditional titles, but now he just numbers them," his wife stated. "Numbers are a neutral medium. They forcefulness people to look at an artwork for what it is: pure fine art."

Pollock was influenced by Austrian creative person Wolfgang Paalen's essay on totem artwork of the native peoples of British Columbia, in which the notion of space in totemist art is explored from a creator's viewpoint; Pollock held a signed edition of Paalen's magazine. He'd likewise seen Paalen'southward surrealist works at a 1940 exhibition. Paalen'south surrealist fumage method, which resonated with painters seeking fresh ways to limited what was dubbed the "unobserved" or the "possible," must have had a profound impact as well.

Pollock'south extreme abstraction appeared to promise phenomenal new freedom for art, but semblances of identifiable imagery remained in the background of his works. Blueish Poles (1952) is a big area linked together past diagonal lines. Amongst the boggling variety of effects, one: Number 31 (1950) preserves a distinct impression of rhythmically moving figures. Pollock may have forsaken his youth'due south realism, but he was still able to brand his works elegantly symbolic. Ane, similar and so many of his works from this menses, creates a sense of grandeur, tying it to the sublime landscape tradition that dates back to the 18th century.

It likewise twinkled equally though speckled with light, similar to Monet'south works, and many commentators take wondered equally to whether Pollock was inspired past the French Impressionist. Pollock's enthusiasm with figurative imagery was never truly lost – as he in one case stated, "Role of the time, I'm quite figurative, and some of the time, I'm not. Figures, on the other hand, are unavoidable when painting from the unconscious." Figuration began to reappear in his work as early as the late 1940s.

By the year 1950, his drinking had grown, and he had returned to sketching, recreating some of his previous ideas, and creating a series of mostly white and blackness drip paintings. Some, such as "Yellow Islands" (1952), contain color and are very abstract; others, such equally "Repeat (Number 25)" (1951), are calligraphic in grade and simply marginally figurative; while all the same others feature unmistakable depictions of heads. They were not well accepted when Pollock initially showed them, yet he continued to labor on them until 1953, his concluding prolific year of work.

Disquisitional Debate

Famous Pollock paintings have been the field of study of heated discussions. Several Jackson Pollock artworks were formerly dismissed by critic Robert Coates equally "merely unstructured blasts of random energy, and hence useless." In a 1959 headline, Reynold's News stated, "This is not fine art—it'due south a terrible joke." When Jean Hélion first saw a Pollock, he noted, "It filled out area going on and on since it didn't have a starting time or an end to it."

For formalistic reasons, Clement Greenberg backed Pollock's works. It corresponded to Greenberg's vision of art history as a gradual purity of form and eradication of historical substance.

A bollard in Winchester, England, painted past The Color Manufacturing plant in the mode of Summer by Jackson Pollock;Andy Mabbett, CC By-SA 3.0, via Wikimedia Commons

He believed Pollock's art to exist the greatest of its fourth dimension and the pinnacle of the Western heritage from Cubism to Cézanne. Harold Rosenberg invented the phrase in 1952 "action painting," he said, explaining that "what was to put on the board was not an image but an experience."

The breakthrough moment arrived when it was determined to paint "simply for the sake of painting." The motion on the sheet represented a release from value—political, artistic, and moral. Many individuals thought he patterned his "action painter" concept later Jackson Pollock.

Legacy

Pollock's direct legacy was felt about strongly by other painters. His fine art included aspects of Surrealism, Cubism, and Impressionism while transcending them all. Aside from that achievement, even greats like de Kooning, who stayed closer to Cubism and clung to figurative material, just seems to fall brusque. And the greatest of later generations of artists would have to struggle with his legacy, just as Pollock had done with Picasso.

As early as 1958, when groundbreaking conceptual creative person Allan Kaprow directly confronted the subject of Pollock'south impact in an essay for Art News, others wondered if Pollock had fifty-fifty freed up alternatives outside of the sphere of painting.

To paraphrase critic Harold Rosenberg, Pollock re-envisioned the sheet as "a stadium in which to act" rather than "a identify in which to replicate, re-design, examine, or 'communicate' an object."

Jackson Pollock (rear) and Lee Krasner'due south (front) gravestones in Green River Cemetery in Springs, New York, U.s.a.;Americasroof, CC By-SA two.5, via Wikimedia Commons

Information technology was merely a short step from this awareness to viewing Pollock'due south balletic movements around the painting equally a blazon of performance art. Pollock's fame has only grown since then. He has been the focus of several biographies, a film biography, and major retrospectives, and he has become not just one of the most recognized icons of the detached modern painter, but also an incarnation for critics and historians of American modernism at its peak.

Helen Frankenthaler and Morris Louis, both Color Field artists, incorporated Pollock'southward staining into a bare sheet. Frank Stella adult "all-over composition" a trademark of his 1960s piece of work. Pollock's emphasis on the procedure of production has been kept by Allan Kaprow, Richard Serra and Eva Hesse, and many modern artists; they were affected past his attitude to the technique, rather than the aesthetic of his work.

In the early 1990s, three different groups of filmmakers were working on Pollock biopics, each relying on a distinctive source. The almost developed projection appeared to be a collaboration between Barwood Films and TriBeCa Productions. Christopher Cleveland's script was based on To a Violent Grave past Jeffrey Potter, an anthology of Pollock's acquaintances' memories. Streisand was to portray Lee Krasner, while De Niro was to portray Jackson Pollock.

A 2d film was to be centered on Ruth Kligman's biography Dearest Matter (1974), nearly Pollock's girlfriend in the six months before his demise. Harold Becker was set to straight, and Al Pacino would portray Pollock.

Computer Fractal Analysis

Richard Taylor, a physicist and artist, utilized computer assay in 1999 to reveal parallels betwixt Pollock's created patterns and fractals seen in natural environment, echoing Pollock's ain words "I am Nature." Pollock'south style was labeled as fractal expressionism by his study team. 24 Pollockesque artworks and doodles were discovered in a locker in Wainscott, New York, in 2003.

The Pollock-Krasner Foundation asked that fractal analysis be practical in an actuality consequence for the outset time. The approach was utilized by academics at the University of Oregon to observe discrepancies betwixt the patterning in the six controversial paintings evaluated, and those in fourteen known Pollocks as well.

Pigment examination of the artworks past Harvard University experts revealed the beingness of an artificial paint that was not trademarked until the 1980s in i piece of work, and ingredients in ii more that were not accessible during Pollock's lifetime.

Pollock Matters, a comprehensive volume written by Ellen G. Landau, one of the four remaining professionals from the prior verification committee from the 1990s, and Claude Cernuschi, an Abstruse Expressionist specialist, was released in 2007. Landau's book establishes the various ties between the artworks' owners' family unit and Jackson Pollock throughout his lifetime to situate the works of art in what she considers to be their correct historical context.

Landau also discusses Harvard Academy'south forensic results and possible reasons for the forensic irregularities discovered in three of the 24 works. Nevertheless, the scientist who produced one of the gimmicky pigments regarded Pollock's use of this paint as "improbable to the point of fiction." Over 10 scientific organizations accept since undertaken fractal assessment on over 50 of Pollock'due south paintings.

A 2015 inquiry that employed fractal assay every bit one of its approaches had a 93 percent success rate in discriminating between authentic and false Pollock works. Fractal Expressionism's current study focuses on the human reaction to perceiving fractals. Pollock's fractals, like figurer-generated fractals and Nature'southward fractals, accept been demonstrated by cerebral neuroscientists to reduce stress in onlookers.

The Virtually Expensive Jackson Pollock Painting

The most expensive Jackson Pollock painting was sold in 2013 past Christie's. The slice, Number 19 (1948), sold for U.s.a.$495 million. The artwork is easy to disregard every bit a meaningless spatter of pigment—but even if you lot can't cover its dazzler, this artwork has a history worth its weight in golden.

Jackson Pollock's art was groundbreaking on several levels. For ages, painters have sketched out or run large-calibration paintings.

Pollock, on the other hand, was directed by passion and intuition equally he wound around his fiberboard foundation, dripping and tossing pigment as his inspiration dictated. He eschewed brushstrokes in place of drips and splashes, and his spontaneous masterworks lit up the art world. Paint with a flowing viscosity that allows for seamless pouring was an essential component of the baste technique. Because of this condition, regular oil paints were non permitted.

Instead, Pollock started dabbling with synthetic gloss enamel paints, which were displacing sometime-fashioned, oil-based home paints. Though this vivid discovery was lauded, Pollock dismissed it as "a natural evolution out of a necessity."

While art experts gushed and collectors paid millions for a Pollock painting at auction, a large section of the public is withal perplexed by the artist's piece of work threescore years later. Every time i of his artworks sells for millions of dollars, journalists question why. The simple answer is that, while his baste paintings are not hands accessible, they were pivotal in redefining our perception of art itself despite the thought that they are not unremarkably bonny.

Recommended Reading

Pollock's painting method, in which he stained onto bare canvases, was favorably welcomed and emulated in the creative world. Pollock'due south art has also influenced several sculptures throughout the years. Pollock's meaning impact and the artistic following may exist linked to the focus he placed on the process of production rather than the appearance of his work. Perhaps you lot are interested in learning even more about his art and life. We tin advise checking out a Jackson Pollock biography or volume almost his art.

Jackson Pollock (2010) by Ellen G. Landau

How did the renowned artist Jackson Pollock become a Beat Generation cult effigy? And what is information technology that has led his reputation to soar? This captivating and unique Abrams classic situates the painter in the context of his period, recreating New York'southward social and cultural atmosphere in the 1940s. The writer retraces several of Pollock'southward far-flung origins of work using considerable information of Pollock'south habits – virtually of it gathered via interviews – his readings, his discussion, and the exhibits he saw.

A plethora of comparison pictures of paintings by painters Pollock loved assist to comprehend the work of this complicated, pitiful, and incalculably powerful individual. Pollock'southward large, dramatic canvases are recreated in v hues to capture the brilliance of his tonal network, aluminum paint, and dazzling collage components. Half dozen gatefolds display his massive horizontal paintings without deformation, and a timeline summarizes the important events in Pollock'due south life.

• Half dozen gatefolds show Pollock's vast horizontal works without baloney
• Chronology provides a summary of the major events of Pollock's life
• Elaborates the evolution and story of Pollock'due south impressive career

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Jackson Pollock: An American Saga (1998) by Steven Naifeh

This is the first book to examine a great artist'due south life with the psychological depth that distinguishes the finest biographies of literary and political personalities. During their 8-twelvemonth investigation, the writers discovered previously unpublished messages and papers, got entry to medical and psychiatric data, and met dozens of the artist's colleagues and associates whose tales had never been shared.

They were likewise the first biographers in twenty years to work with Pollock's widow, Lee Krasner. The upshot of these unparalleled efforts is a rich, sweeping, historic biography of 1 of the nigh intriguing people in American society; a bright, explosive "picture of the artist," extensively researched, and lavishly illustrated volume.

• A definitive record of the journey of Jackson Pollock
• Filled with piercing psychological insights nearly the creative person
• Brings yous to an understanding of the ability of his creative genius

View on Amazon

Jackson Pollock, a famous 20th-century artist, changed the realm of contemporary art with his distinctive abstruse painting methods. Jackson Pollock trained nether Thomas Hart Benton before abandoning established methods to experiment with abstract expressionism through his splatter and action paintings, which entailed pouring paint and other substances directly onto canvases. Pollock'south traditions earned him both acclaim and scorn. In 1956, he was 44 years one-time when he died afterward driving intoxicated and collapsing into a tree in New York.

Frequently Asked Questions

How Did Jackson Pollock Dice?

Pollock died in a automobile incident on Baronial 11th, 1956, while driving under the influence of alcohol. Krasner was in Europe visiting friends at the fourth dimension, and she returned soon later hearing the news from a friend. Edith Metzger, one of the occupants, was also killed in the accident, which transpired less than a mile from his firm. Pollock's sweetheart, Ruth Kligman, was the sole passenger who survived.

What Was Jackson Pollock Known For?

Pollock'southward flowing and pouring painting style is credited with helping to popularize the phrase, action painting. He was able to create his ain distinct artful using this method, with colors streaming from his selected tool onto the surface. He added a new dimension to his paintings by rejecting the convention of working on a vertical platform, allowing him to examine and apply paint from all angles. Jackson Pollock's art has been widely criticized, with some applauding it as the finest paintings of its time and others dismissing information technology as a bad-natured joke. Despite such divergences of stance, Pollock was undeniably 1 of the most important painters of his day, and some of his works have sold for amongst the highest prices e'er paid for a painting. Furthermore, an test of his work reveals that his baste paints closely mimic complicated repeating patterns observed in nature.

Source: https://artincontext.org/jackson-pollock/

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